Archives for category: Book reviews

I haven’t posted a book review for a while because, though I have been reading at my usual rate, I haven’t come across anything that has inspired me – mostly it’s been books I stopped reading because they were just OK but not good enough to hold me (limited time; long, long, long tbr list), or books that were good enough to hold me but ended up being just OK anyway, nothing to write a review about.

Zenda cover imageAdventure novel Prisoner of Zenda, by Sir Anthony Hope Hawkins in his pre-knight days, is a stand-out, and even more so because I read it as an ebook on Stanza – and we all know on-screen reading is a bit tougher than printed reading even when you make conditions as good as they can get.

Published in 1894, Prisoner of Zenda is a romance in the old-fashioned sense of the world (ie “A novel dealing with idealised events remote from everyday life”), set in a fictional European country, somewhere near Germany, named Ruritania. Apparently Ruritanian Romance is (or was) a genre unto its own, all inspired by this book. It is contemporaneous – it was written in the 1890s and is set in in the 1890s. It has also inspired several film adaptions, including one with William Shatner.
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Vellum cover image I started to read the sequel or second volume, or – maybe – second half of this book in the form of Ink: the book of all hours, the first part of which was available as a sample read via Stanza. I was so lost and yet so intrigued that I sought out of the first, Vellum so I could start from the beginning.

The plot, once you work through the myriad iterations and time-twists and exuberant use of language, is simple enough. One set of stories revolves around Phreedom, her brother, and her mentor and sometime-lover, and the eternal story of betrayal they must play out with each other across time and epochs. The other set of stories centres on the brother, Thomas, and his lover, Jack, and another two men. It runs across multiple universes or worlds; sometimes Jack is driven mad by Thomas’s death, and sometimes he is the agent set to capture him. Around all this is the battle of heaven and hell, with angels on both sides determined to recruit Thomas and Phreedom into their epic battle.
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With the new ABC (US) series of the same name and premise, I thought I would put up the review I wrote when I read the book years ago. It’s taken directly from my personal book journal (notes to self), so it’s a little disjointed:

Flash Forward cover image Interesting time travel book – the consciousness of all people in the world is flung forward 21 years into the future. Some people glimpse their own future lives, some are reading newspapers or watching TV about others, some see nothing – because they’re dead.

The book is an examination of how people react to knowing their futures, and if the future is immutable or not…but this is quite quickly resolved (yes, it can be changed), which was disappointing. And the ending, to do with the second flash forward 21 years later, is also disappointing.
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Off Arm Reef cover imageDo you like both science fiction AND epic fantasy and wish you could have the best of both worlds? Oh, I have I got a series for you…

Within the first fifty pages (of this almost 800-page volume), the premise is established, a mix of info-dump and quickly sketched but poignantly brave characters. An alien enemy, vast and inflexible, has swept down upon the Terran Federation, humankind’s space-colonising future society. It is implacable and wants nothing more than our utter extinction. With one last throw of the dice, the TF government gets a colony fleet out past the destruction, so that the last survivors can hide from the aliens and build a new home on a new planet far away.
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First meetings cover imageA collection of short stories, this contains the original Ender novella plus two stories with his parents (The Polish Boy and Teacher’s Pest), and one story set after Ender’s Game (Investment Counselor).

I loved Ender’s Game, found the following ones increasingly a drag, and gave up on the Shadow series. This short story collection is the last work I read of Scott Card’s. And this was because I got sick of his politics getting in his way. In particular, I got sick of being told I should have had 14 children by now and the only reason I haven’t is because I’ve been brainwashed by feminists.
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The Road cover imageWhen the world has ended, what keeps you alive?

A nameless pair, father and son, walk south along a road through a burnt and blighted landscape, fleeing winter. It’s not the end of the world: it’s years after the end of the world and the handful of survivors have descended to savagery as stored food runs out and almost all that’s left to eat is each other. Meeting a road gang means their rape and death; even solitary strangers are risks. There is no humanity left in the end times.

The boy was born at just the wrong time, but the boy is all the man lives for: “If he is not the word of God God never spoke”. The man has a pistol. It has two bullets left. He is coughing up blood. The boy cannot survive alone. No one can. “Can you do it?” he thinks. “When the time comes. Can you?”

It should be a bleak read – there’s no hope here that eventually the remnants will pull a society together again, because nothing will grow and there’s nothing left to pollinate it if it did. And it is stark and it is pitiless, but it is, after all, not bleak, I think because it so easy to fall into the mindset of the father. He rarely thinks of the future or of the past, but just of surviving the day. Without thinking too far ahead, their story is one of the power of love in hopeless times.

I haven’t read too many post-apocalyptic novels – The Stand, Onyx and Crake, I Am Legend, the recent The Gone-Away World and The Forest of Hands & Teeth. The Road is powerful both for being set in the miserable between-times, after scavenging off the fallen remnants of our society is no longer possible and before any hint of recovery into a new civilisation (which does not seem possible in this scenario anyway), and for giving the man and the boy no other enemy but hunger, cold, and other people.

Interested? Buy it from Fishpond.com.au, Australia’s biggest online bookstore. All their book prices are guaranteed better than Amazon and they do free delivery for orders over $50.

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City of Thieves cover imageA gorgeously written and compelling bromance set during the siege of Leningrad during World War II.

The narrator, Lev, has been caught looting the body of a German paratrooper. Terrified, he waits in his cell for execution at dawn. His cellmate is Kolya, a soldier awaiting the same fate – his crime is desertion but he doesn’t seem too worried. His optimism is rewarded in the morning, when the two young men are taken, not to the firing squad, but to a well-placed NKVD colonel, who wants a dozen eggs for his daughter’s wedding cake.

He sets them free, but ensures their mind is on their task by taking their ration cards, without which no one can survive for long in the cut-off and foodless city:

‘You bring me the eggs by sunrise Thursday, you get them back. You don’t, well, you’ve got all of January to eat snow, and there won’t be any cards waiting for you in February, either. That’s assuming one of my men doesn’t find you and kill you before then, and my men are very good at that.’

‘They just can’t find eggs,’ said Kolya.

Out into freezing, starving Leningrad Lev and Kolya go, Lev despondent, Kolya grabbing the slim chance with both hands. The eggs are in one way a MacGuffin; they are just the quest-goal that gives our boys a chance to tour Leningrad and see the depths that starving, desperate people will sink to.

On the other hand, no other food product is quite as “easy” to get as eggs…they just need to find a chicken. They soon must make their way into the devastated countryside on the chance of a chicken farm, where the focus expands from the effect of the German invasion on Leningrad to its effect on the peasants outside the city too.

I’ve read books about the seige of Leningrad before, and there’s no real polite or tactful way to put this…300 fictional (though based on fact) pages of people starving or freezing to death or struggling to not do so gets old pretty quickly. By giving the pair a quest, Benioff drives the narrative in a way that is utterly enthralling, and his two bickering characters, “half in love with each other”, are full of life and conflict and are a joy to follow, flawed and charming and real – as is the third member of their party, joining them about halfway through.

From that point on I couldn’t put it down (before that, it was pretty hard to put down too). I love character-driven books, I hate books solely about characters without plot, and City of Thieves is a character-driven narrative with adventure and romance and tension – lots and lots of actual plot.

Now, there are certain conventions in this type of narrative (genre fiction often gets lambasted as being formulaic but so is narrative fiction in many respects) which makes the general plot, in particular Lev’s journey from coward to hero, or boy to man, or however else you want to characterise his coming of age, predictable, and which makes the way it ends almost inevitable, but even knowing it’s coming, it’s affecting.

David Benioff is a screenwriter, and the experience shows. He’s also working on the adaption of Martin’s Song of Ice and Fire into a HBO series. Hey, David, tell George to get back to work, the series ain’t done. Here’s a Q&A with NY Magazine. I think they read a different book to me (what twist? I can’t be the only person who saw that ending coming. Also, of course the grandfather at the beginning was fictional, what planet do these people live on?). And another article which gratitiously works in a Harry Potter mention but is interesting nonetheless.

Interested? Buy it from Fishpond.com.au, Australia’s biggest online bookstore. All their book prices are guaranteed better than Amazon and they do free delivery for orders over $50.

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Edward Trencom's Nose cover imageSubtitled A novel of history, dark intrigue, and cheese, Edward Trencom’s Nose certainly manages the first and last, but fails on the intrigue bit.

Milton is known more for his accessible non-fiction such as the bestselling Nathaniel’s Nutmeg and White Gold (though I will always have a soft spot for his forgotten first, The Riddle and the Knight: in Search of Sir John Mandeville). Edward is an attempt to spin his built-in audience and history research into success in fiction too, and to some extent it must have worked, because his second novel, According to Arnold is out soon.

Arnold is about a man obessed with mushroom who has been married for 12 years. Edward is about a man obsessed with cheese who has been married for 12 years. Why mess with a winning formula? Except it’s not very winning, at least not for me.

Edward opens with the happy ending. Edward awakes from a weeks’ long sleep, his sensitive and powerful nose a-quiver with the scent of a beloved variety of cheese and his loving wife awaiting him with open arms. He’s had a lucky escape after a trip overseas. Now, normally a prologue of this kind is a point around which the rest of the book revolves: we flash back and see the lead up to the prologue scene, and then the rest of the book is what happens after the prologue scene.

So I thought the prologue’s final words “It looks as if Mr Trencom is at long last on the mend” would turn out to be ironic as our hero plunges into even worse straits. I had to revise this assessment as we edge, slow by painfully slow inch towards the trip to Greece that put him into the palsied state the book opens with. After a time, it became obvious that the story really had opened with the ending, which sucked away the last little bit of interest.

And to the cheese. Now, I’m a big fan of stories that delve into areas of obsession outside the mainstream or showcase the intricacies of things we all take for granted. Perfume for example, tells us all about the sometimes unlovely art of perfume-making. That book springs to mind because Edward too deals with scents and a sensitive nose, this time in the service of cheesemongering. Unfortunately, the details of cheese are really left to naming the varieties – and yes, truly, there are astonishing varieties, but it’s all a bit superficial.

Milton instead puts his efforts into repeating, over and over, the very simple plot points of this novel. The basic story is that Edward discovers he is being followed and almost at the same time uncovers some family history which leads him to discover that the male members of his family for the last nine generations have died early and under mysterious circumstances, often in Constantinople or its environs. And it appears to have something to do with the famous Trencom nose.

It’s not enough for Edward to discover the death in his storyline; we get a flashback of the death of each man in their own chapters. This doesn’t stop Milton from repeating the details of the death as Edward discovers it. But at least he only tells us twice. A lot of other times, he tells the reader something a half-dozen times. Lord, I get it, would you move on, please?

He also feels the need to dwell lovingly on things like the flood in the cellar of the cheese-shop, the description of which, I kid you not, goes on for five pages. Five pages! I get it, move on! And whenever characters may be about to do something dangerous, like Edward’s wife going to confront the man who is following him, it steers off safely.

Not that there was any tension anyway, what with the happy ending being up front in the prologue and all. That, and the fact that the central mystery of the book is so easily guessible, makes the book utterly lack intrigue, and the characters don’t make up for it.

Meanwhile, the dialogue is incredibly dull, in that it is terribly realistic, the kind of banal things that people say every day. I’m not decrying real-life banal conversation – it’s not like I don’t participate – but it doesn’t belong in novels, which are supposed to be more interesting than day-to-day life. Though maybe fans of very gentle reality TV programs would like this touch.

I’ve spoken before about British humour. I suspect, given that this book was meant to be witty, that there’s more than one kind, and this kind is not my cup of tea.

Interested despite my review? Buy it from Fishpond.com.au, Australia’s biggest online bookstore. All their book prices are guaranteed better than Amazon and they do free delivery for orders over $50.

Carter Beats the Devil cover image It’s such a shame books disappear so fast from physical bookstores these days…Carter Beats the Devil was published way back in 2002, re-published under a ‘Sceptre Classics’ imprint in 2006, and I only came across it in a second-hand bookstore as a fluke.

And I’m so glad I did. It’s a marvel. We open in 1923. President Harding is dead, a few hours after he appears on stage with Carter the Great, an illusionist and magician. Carter’s no fool; he slips quietly away before the Secret Service can get hold of him – only the first indication of his blatant guilt in the eyes of paranoid agent Jack Griffin. That’s the overture and set up for the bulk of the book, but first, there’s Act One, Carter’s evolution from child using magic to stay calm to youth on the entertainment circuit to man with a headline act.

This is necessary and entertaining but it’s really the next two acts you want to stick around for: great characters, particularly Carter and the main female leads, great concept – what have Carter and the president got to do with a inventor who has come up with something so special people will kill him for it? – and great twists and turns in the tradition of misdirection and illusion. There are a couple of turns in this where I was truly convinced Carter was going to die.

Does he? Read it and find out. The climax is spectacular. If anything, tidying everything up after the climax – when Carter Beats the Devil on-stage – is a bit of a let-down even if epic on one hand and plot-resolving on the other – but only because that early climax is just so un-put-down-ably brilliant.

Gold’s latest book, published just in June this year, is Sunnyside, set in a similar era as Carter but following Charlie Chaplin and the birth of Hollywood. Carter was Gold’s first book; if that’s how good the first one is, I can’t wait to read his second.

Interested in Carter Beats the Devil? Buy it from Fishpond.com.au, Australia’s biggest online bookstore. All their book prices are guaranteed better than Amazon and they do free delivery for orders over $50. You could get both books by Gold and just scrape over the $50 mark for free delivery.

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You can get my latest book, The Frog Prince’s Daughters, for only $1 until mid-August. After that, it still costs less than $4. And it’s DRM-free. Check it out.
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The Forest of Hands & Teeth cover imageWe’ve had 28 Days Later and 28 Weeks Later; this is like 28 Decades Later. Mary lives in a village behind fences. Beyond the fences are the Unconsecrated and the endless forest. Inside the fences, her choices are limited: marry and raise a family – society needs more children – or join the Sisterhood, women who dedicate their lives to serving God and protecting the villagers from the scourge outside. There’s also Guardians, who maintain the fences and fight back against breaches of the perimeter.

Mary has been infected – but not by the Unconsecrated. Her mother told her tales passed down from her great-great-great grandmother, especially stories of the ocean. Her gaze is focused on the world outside those fences, a world which just might contain other survivors or an ocean safe from zombies (which term, by the way, is never used in the book). When she is forced into the Sisterhood, she begins to learn more than she suspected about the secrets the Sisterhood and Guardians keep, and when the breach comes, she is thrust into hard choices between duty and love, safety and following your dreams.

I loved this book. It’s very simply told and under-stated but powerful for that. The nature of the story (it’s first person) means that there are things Mary does not know and cannot know, which then means that quite a lot is left under-explained, but that works (I tend to prefer under-explanation to over-explanation, particularly when it would have to be strong-armed into the plot somehow).

The characters have their conflicting motivations, which makes them sometimes noble and sometimes cruel – including Mary, who is just as flawed as the rest of them, if not more so, as her obsession for the ocean grows the worse their situation gets. I was unconvinced on Travis, the love interest, who came across as weak and unworthy, but there’s a reason for that, eventually.

There’s nods to the zombie horror movie genre, or horror/disaster movies in general, as when they conveniently acquire a dog and a small child just before we move into true horror-movie territory. But despite the zombie setting, it’s really a story of the choices we make and why we make them. Bleak and hopeful and restrained in its language, it reminded me, particularly the first part, of The Handmaid’s Tale.

Interested? Buy it from Fishpond.com.au, Australia’s biggest online bookstore. All their book prices are guaranteed better than Amazon and they do free delivery for orders over $50.

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