Writers, put your big girl panties on… iBookstore comes to Australia The book pyramid Slow food, slow travel…now slow reading Supernatural collective nouns 99 page test Just another ebook article Ups and downs of writing for others When anyone can be published… “I do not write for free” — counter-intuitively damaging? Extra energy and focus for writing Musings on the self-help industry Is this the silliest argument against ebooks yet? Terry Pratchett gets quoted in some unusual places… Gimmick non-fiction New Terry Pratchett prize Reader question: does historical fiction need murder? Book review: A Tapestry of Spells by Lynn Kurland Book review: Resistance by Owen Sheers Book review: Wicked Gentlemen by Ginn Hale Book Review: White Star by Beth Vaughan Happy links for readers and writers Book review: Perdido Street Station by China Mieville Non-paying editor: writers be warned Mini book reviews: my YA reading binge Happy links for readers and writers New writer? Reading comprehension skills really help Book review: Soulless by Gail Carriger Happy links for readers and writers Ah, the alpha male. No thanks. Book review: The Heroines by Eileen Favorite Happy links for readers and writers Nonplus and nonplussed: language change in my lifetime Book Review: Curse of the Spellmans by Lisa Lutz Happy links for readers and writers Sex and the author Book review: Of Bees and Mist by Erick Setiawan Happy links for readers and writers The sting in the tail: reading twists Book review: The City & The City by China Miéville Read an ebook week, March 7-14 – 50% off sale. Terry Pratchett, shaking hands with death Reading resolutions: progress report Tuesday Teaser Free short story: Silent Song Happy links for readers and writers: Oz edition — and free books Don’t mind me. This is a page flipper test Book review: The Magicians by Lev Grossman Happy links for readers and writers Book review: The Name of the Wind by Patrick Rothfuss Happy links for readers and writers Book review: Court of the Air by Stephen Hunt Happy links for readers and writers Viewpoints and grammatical person: I or she or they or you Book review: The Margarets Happy links for readers and writers (Perth edition) Book review: Two Pearls of Wisdom Letting Amazon pick my books… My reading resolutions Conversion to ebooks: things holding this reader back Happy links for readers and writers – Oz ebookstores edition Kindle for iPhone vs Stanza. Notes from a Stanza-whore Damn! Happy links for readers and writers My favourite books of the year Prisoner of Zenda by Anthony Hope Happy links for readers and writers Musket fantasy, new trend for the fantasy genre Andreas Reh Writing rules and the query letter to the agent Happy links for readers and writers Futuristic Motherhood anthology Writing round Bad sex Sometimes idle fancies should remain just that Marketing yourself: make connections with people of similar tastes Hello, new writers: do not pay to be published Book Giveaway: cover snark Rejecting genre fiction vs growing up A giant company named Virago… Go Home On Time Day Writing round How to get story ideas in fiction-writing Vellum: the book of all hours by Hal Duncan Writing round The Frog Prince’s Daughters: written AND spoken Little idea of the point of what you’re writing today? Flash Forward by Robert J Sawyer Oh, relationships AND plot, who knew? Off Armageddon Reef by David Weber Writing round Editing masterclass First Meetings in the Enderverse by Orson Scott Card Writing round Now with even more listy goodness… Best way to read using Stanza Editing masterclass The Road by Cormac McCarthy Writing round Top rated at Fictionwise How I did Tabourot’s Law: after you scream but before you give up Editing masterclass City of Thieves by David Benioff Self-plug: more places to buy my book Writing round How I did How to use social networking channels to market your book Edward Trencom’s Nose by Giles Milton Writing round Genre Book Reviewers Self-plug: places to buy my book How I did Explaining to the reader: beat them over the head, or leave them lost? Editing masterclass Carter Beats the Devil by Glen David Gold Writing round How I did Backing up your work – test your system Editing masterclass The Forest of Hands & Teeth by Carrie Ryan Writing round How I did Paragraphing and points of view Editing masterclass A Sorcerer and a Gentleman by Elizabeth Willey Writing round How I did The Sweetness at the Bottom of the Pie by Alan Bradley Writing round How I did Writing rules, misapplied: open with action The Unconsoled by Kazuo Ishiguro Writing round Book launch Writing round How I did Measuring your success as a writer Editing masterclass A Civil Campaign by Lois McMaster Bujold Writing round How I did Marcus Graham agrees with me Editing masterclass Mr Mee by Andrew Crumey Writing round How I did It Ain’t A Get-Rich-Quick Scheme Robert Rankin Writing round How I did Writing for commercial success: love or money and why can’t it be and? Editing masterclass Summerland by Michael Chabon Writing round How I did Identifying writing scams Editing masterclass Three Hands for Scorpio by Andre Norton Writing round Writing round How I did How to accurately quote on work Editing masterclass Only Revolutions by Mark Z. Danielewski Writing Round How I did Story takes over: new path or blind alley? Editing masterclass The Graveyard Book by Neil Gaiman Writing round How I did I’ve forgotten how to grocery shop Editing Masterclass A Princess of Mars by Edgar Rice Burroughs Writing round Choosing a title in genre fiction Anathem by Neal Stephenson Writing round Writing villains: understanding without endorsing The Good Mayor by Andrew Nicoll Writing round – late edition Censorship in Young Adult fiction The Dark Volume by G.W. Dahlquist Honesty in storytelling The Glass Books of the Dream Eaters by G.W. Dahlquist Writing round New writers and trends in the arts The Blade Itself by Joe Abercrombie Writing round Using figurative language in genre writing The Final Solution by Michael Chabon Writing round The Dante Club by Matthew Pearl Writing round Using rape in genre fiction Feast of Souls by Celia Friedman Writing round Romanitas by Sophia McDougall Writing round The purpose of the synopsis A Brief History of the Dead by Kevin Brockmeier Writing round Writing rules, misapplied: adjectives and adverbs II The Gone-Away World by Nick Harkaway Writing round Working out an hourly rate The Meaning of Night: A Confession by Michael Cox Promoting your book through podcasts The Autumn Castle by Kim Wilkins Favourites of the year Writing round Pleasing the reader: dealing with minor criticisms Cloud Atlas by David Mitchell Writing round Using description in genre fiction Beyond Black by Hilary Mantel Writing fiction with other people The End of Mr Y by Scarlett Thomas Choosing a setting in genre fiction The Enchantress of Florence by Salman Rushdie How I did Writing rules, misapplied: don’t consult your thesaurus Zorro by Isabel Allende How I did Stanza for the iPhone or iPod Touch: affordable ebook reader Night Watch by Sergei Lukyanenko How I did What we know: spheres of knowledge in writing fiction The Amazing Adventures of Kavalier & Clay by Michael Chabon How I did The writer’s little notebook How I did Who stands between the writer and the reader? The Stolen Child by Keith Donohue How I did Writing rules, misapplied: kill your darlings Nation by Terry Pratchett How I did “He doesn’t need external enemies”: write your interests The Malazan Book of the Fallen series by Steven Erikson How I did Motivations for writing: “It’s about the gear” Fingersmith by Sarah Waters Congratulations to Connie Willis How I did The second best writing tip I’ve ever received The Observations by Jane Harris How I did Writer’s block: how to clear the blockage Red Seas Under Red Skies by Scott Lynch How I did Procrastination: how to avoid it Peter Pan in Scarlet by Geraldine McCaughrean How I did Writer’s block vs procrastination Resurrectionist by James McGee How I did Made-up languages in fantasy writing The Last Witchfinder by James Morrow How I did You know more grammar than you think you do Making Money by Terry Pratchett How I did Focussing the plotlines of your story Neil Gaiman How I did Writing scenes: know the scene’s purpose The Time Traveler’s Wife by Audrey Niffenegger How I Did Choosing your point-of-view characters Philip Pullman How I did Developing your characters with interactions The Handmaid’s Tale by Margaret Atwood How I did Developing your characters with logic Robin Hobb How I did Writing time savers: organising your electronic files Daughter of the Forest by Juliet Marillier How I did Writing time-wasters: nifty software Patricia A. McKillip How I did The uses of critiquing Ender’s Game by Orson Scott Card How I did Writing rules, misapplied: Write What You Know Ursula Le Guin How I did Writing rules, misapplied: Cut 10% in editing Howl’s Moving Castle by Diana Wynne Jones How I did Writing rules, misapplied: avoid adjectives and adverbs Lois McMaster Bujold How I did Writing rules, misapplied: show, don’t tell The Confusion by Neal Stephenson How I did Writing rules, misapplied Terry Pratchett How I did Letting your subconscious work Never let me go by Kazuo Ishiguro How I did Using short snatches of time The Book Thief by Marcus Zusak How I did Minimum words vs minimum hours Watership Down by Richard Adams How I did Posthumous publication: reluctant author, ravenous fans… CJ Cherryh How I did Occupational health and safety for home-based freelancers Bridge of Birds by Barry Hughart How I did Lessons from cycling George R.R. Martin How I did Use the Find function to polish your writing Jonathan Strange and Mr Norrell by Susanna Clarke How I did Writing teachers: TV The Perth Writers Festival Connie Willis How I did Writing time-wasters: TV The Lies of Locke Lamora by Scott Lynch
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