My next few blog posts will be informed by some of the sessions I attended at the Perth Writers Festival. I’ll try to acknowledge the particular sessions and authors whose ideas and discussions helped me formulate each blog post where I can, though my notes did not extend to recording who exactly said what verbatim.
But this entry is devoted to something that I got generally from the festival across all the sessions I attended. This was the notion of truth in storytelling. Over and over again, authors spoke of being true to the story they were trying to tell, of making plot and character decisions with their eyes focussed firmly on what worked for the story over what would be popular or mainstream, of writing the best story they possibly could and letting the commercial/publishing chips fall where they may.
This was a sentiment that was incredibly refreshing for me to hear coming from successfully published mainstream (by which I mean, available in a bookstore) authors (though maybe they can afford to shrug it off and let the marketing department sort it out, since they’re already published and have a following…). It sometimes seems to me that the advice on writers’ sites and in writing books is so severely intent on the holy grail of getting published (writing as a business) that the notion of storytelling in itself (writing as an art) is lost, even derided as naive and foolish.
Some of the authors spoke of how the commercial concerns can be paralysing, if you’re constantly self-censoring (more on this next week) based on what might sell, whereas putting all that aside and being true to the story and the characters is incredibly freeing.
There is a hint, too, in the growing popularity of non-fiction, particularly memoir: people seek truth. Perhaps they are turning from fiction because the storytelling in fiction no longer illuminates the truth (or a truth) like it once did.
If there was a theme to this festival for me, it was the repeated mantra of truth in storytelling. Tell the best story you can. Read all the advice you like on the craft of writing (the nuts and bolts how-tos) and the business of writing, but the art of writing centres on sincerely telling the best story you can.
You can still listen to sessions at ABC Perth, and read more about the festival at its website.

Interesting post. Thanks for sharing. I’ve always felt that the only way to write a compelling novel is to stay true to the story and the characters. The story almost has to take over the writer – at least, that’s how it feels to me.
Interesting about the non-fiction and memoirs. Over here in the UK, autobiographies are becoming increasingly popular.
I’ve never attended a writer’s festival or any other organised event (although I go to a novelist group). I’m working on a couple of novels and am writing articles on creative writing at my blog at lawrenceez.wordpress.com. Check the articles out if you have time.
“the story almost has to take over the writer”
Several of the authors mentioned this feeling, where the characters just take the story off in unplanned directions, and how they just had to roll with it in the interests of staying honest to the story, even if they didn’t agree with it (eg where a female character was meant to just be an average middle-aged woman but turned out to be a Fatal Attraction style nutcase).
I’ve had this ‘story/characters take over’ feeling myself, the most recent example from my WIP from last year where one of the major characters turned out to be gay – I only found that out when one of the other characters mentioned it.
I really like it when it happens, because it is like a signal that the story is working. On the other hand, it can also be a signal that you’re losing control of the story. You have to learn to trust your instincts to work out which it is.
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